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The blend has been utilized allegorically to depict the elements of American public activity. Notwithstanding its spellbinding uses, it has ...

Monday, October 7, 2019

Video response paper (writer's choice) Essay Example | Topics and Well Written Essays - 1500 words

Video response paper (writer's choice) - Essay Example It also forms part of the growing films on border-crossing as much as the Mexican migration became a dominant cinematic theme for both the US and Mexico. (Maciel and Garcia-Acevedo, p. 148) To say this, however, is tantamount to merely scratching the surface. The Syrian Bride is more than its obvious storyline. It is peppered with important themes and social issues that permeate in Israel today as well as its relations with its neighboring Arab countries. Plot The film depicted the story of Mona (Clara Khoury), a Druze woman living in Golan Heights, who in an arranged marriage, must travel to meet his groom, Tallel (Derar Sliman), in Syria. Everything was pretty straightforward, starting from the wedding festivities unto the wedding itself, which would take place at the border. Mona had to bid her family farewell and cross the border. It is at this point, however, wherein the story took an interesting turn. Israel and Syria do not maintain any diplomatic relations. In addition, both countries are claiming Golan Heights. Ebert (2006), in his review, expressed the dilemma in word best as he stated that Mona’s problem â€Å"is that Syria considers her to be already in Syria, and Israel considers her to be in Israel† and â€Å"how can she cross from a place one side says does not exist to a place the other side says does not exist?† The bureaucratic tangle was further complicated by the fact that Syria does not recognize Israeli passport, effectively barring Mona from entering the country. The entire caper was already comedic as the protagonist and the Salman family untangle their way to their destination. Symbolism Writing for the New York Times, Stephen Holden (2005) remarked that The Syrian Bride and its depiction of the impenetrable border symbolized all that’s wrong in the Middle East. This wrongness in bordered the ridiculous as complex norms and procedures applied at either side of the border defy logic, understanding and implemen tation. As has been shown by the film, everything was in fact insane. There are vague and conflicting security and political considerations resulting in a solid deadlock to which an Israeli border patrol officer could merely shrug in sympathy and perhaps in his own confusion as well. The entire caper disputed the opening claim of sadness for the whole film, making the film, in itself, hilarious with ridiculousness of Mona’s situation. The politics and the bureaucracy involved in the border defy reason and can actually victimize even the most fundamental and innocent needs and desires of people affected. In most respects, this situation is the same with the way relations between Israel and its neighboring countries are conducted – enforcing ridiculous legal norms and violating human rights in the process, just so security and political considerations could be satisfied. Apolitical More than anything, the film does not have a political agenda. It did not talk about which side of the fence – Israel or Syria – is correct, much less attack policymaking that would pit the two countries or their positions on several issues against each other. There was no suggestion of peace and/or some outright diplomatic resolution to the strained bi-partisan relationship or something to this effect. If there was some politics involved, it was, in the words of Ebert, just nibbling around the edges, â€Å"

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